More journeys by hot air balloon

Exhibition announcement:

March 5 - April 3
Lighter Than Fiction (2010) by Jenny Marketou (Greece/US)
Presented by the Project Room for New Media at the Chelsea Art Museum

The Chelsea Art Museum, Home of the Miotte Foundation, and the Project Room for New Media are pleased to present Jenny Marketou: Lighter Than Fiction. What do you see when soaring over Los Alamos, New Mexico... utopia or dystopia? A landscape of natural beauty or a place where nature was unleashed in the creation of the nuclear bomb? Jenny Marketou’s video installation poses the question, juxtaposing dreamlike perspectives with disturbing realities. These contrasting states are experienced in three single channel video projections that comprise the installation.

In “Stolen Bubbles” 2010 Marketou has mixed visual and sonic material from Karel Zeman’s “The Stolen Airship” 1966 with her original animation that draws from the airborne balloon project called “Bubbles” 2009 - both filmed over Prague, Czech Republic.

“Bubbles” is based on a public sculpture project where the artist created a remarkable set of 14-meter banners with her original graphic composition using the word “Fragile” which were draped onto an air balloon. Marketou filmed as she and her guests riding the balloon experienced breathtaking views of PRAGUE and the dream-like sensation of floating with the wind currents, hovering above the busy pace and anxieties of city life.

“Levels of Disturbance” (2009) is structured around the aerial audio and visual recordings that Marketou captured while flying in a small jet over the natural landscape around LOS ALAMOS, New Mexico, where the atomic bomb was created in the 1940s, that is still contaminated by nuclear waste and turbulent human emotions. During editing Marketou destroyed the order of the video sequence and the coherence of the narrative, placing at the center of each frame a round sphere animated in a perpetual motion that controls and obstructs access to the full image of the landscape. The viewer is drawn into this unsettling spinning sensation, generating metaphors for the human condition.

“Lighter Than Fiction” investigates the precarious balance between reality and fiction capturing the view from above where the lightness of utopian sensations and imagery are contrasted by dystopian realities.

Image: Still from Jenny Marketou's video animation “Levels of Disturbance” 2009

Doctoring time

Fans of Dr Who spin-off Torchwood (we've just finished the second series on DVD) will immediately recognise THIS view of central Cardiff, which plays a prominent role in the series. Cardiff, so the story goes, is in the middle of a rift in space and time and the Torchwood hub, where they deal with rift anomalies, is based underneath the Millennium Plaza (pictured). One episode has them rescuing a warehouse-scale alien meatloaf (built by Barney (son of Wystan) Curnow). Jumping into STREETVIEW, you're practically on location, waiting for Captain Jack to pop up out of the pavement.

Speaking of enormous alien structures, we've just discovered THIS DOOZY just a little north in Birmingham, designed by Future Systems, who are also responsible for the Lord's Media Centre, found HERE.

Abandoned

With our running interest in hidden places, negative spaces, voids and other types of monumental emptiness, we couldn't resist this post on WebUrbanist, which we have managed to mostly translate into map locations (and more deserted cities here).

Hong Kong's once anarchic Kowloon Walled City was torn down not long after Jackie Chan used it as a set for Crime Story, including real footage of exploding buildings. Before demolition, Japanese explorers spent a week mapping the vacated site. It is NOW A PARK.

The RYUGYONG HOTEL casts a long shadow over Pyongyang, a towering memorial to failure.

Our favourite is the mysterious and futuristic UFO ghost city of SAN ZHI, Taiwan, which sadly disappeared only a few months ago.

Once the capital of Azerbaijan, AGDAM's crumbling mosques demonstrate that living at the crossroads can have a negative effect, which can leave you in the middle of contested territory just as it can also make you a centre for commerce. Then there are the built open spaces of the city of FATEHPUR SIKRI, Uttar Pradesh, India, which was the capital of the Mughal Empire but is said to have been abandoned since the 16th century when it ran out of water only decades after being built.

Unfortunately the map resolution is not great but here is the former splendor of BOKOR HILL STATION in Phnom Bokor, Cambodia.

Closed in 1999 after a single accident, Opko Land in South Korea is still a mostly intact amusement park, although google has been very slow to add maps and detail to most of Korea so THIS is as close as we get. A shame because we like amusements parks and promise to seek out a few more, abandoned or operating, at a later date.

Image: The UFO house in Sanjhih, taken by cypherone

Tremors

"Theo Schoon, the Dutch artist, introduced me to the geothermal areas of the central North Island - areas to which I have returned many times to record on film the detail and drama of these fascinating places. Here at your feet and in the air you breathe are the feverish exhalations of volcanic activity. These sites are the art galleries of nature's creations, thrust to the surface from subterranean crucibles by steam, boiling water and gases."

Len Castle quoted by Peter Simpson in the Mountain to the Sea exhibition catalogue.

Last week, amidst some of the steamiest weather Auckland has experienced in recent times, Hawkes Bay Museum and Art Gallery curator Tanya Wilkinson opened a touring exhibition of Len Castle's geologically inspired ceramics, combined with photographs by the artist and a selection of commissioned poetry, all of which makes for a nice publication.

Amongst those places favoured by Castle and simmering with primeval forces is the volcanic heart of the North Island around Tongariro, which includes the CRATER LAKE of Mount Ruapehu, the UPPER and LOWER TAMA lakes with their wind-swept, bottle-glass surfaces, and the seemingly kiln-fired, peak of NGAURUHOE, adorned with jewel-like lake glazes HERE, HERE and HERE.

Heading north from the super-sized crater lake of Taupo are the geothermal facilities at WAIRAKEI, the many small lakes through the region, including ROTOKAWA, TIKITAPU with its strange digital surface patterning, the pale blue and strikingly titled Echo Lake (WHANGIOTERANGI) alongside the emerald green Ngakoro, and of course the bubbling mud of WAIOTAPU and WHAKAREWAREWA in ROTORUA. And then, out to sea, it is hard to miss the miles-long plume of White Island (WHAKAARI).

Speaking of smoking peaks, here's MOUNT SAINT HELENS, VESUVIUS, KRAKATOA and ETNA. Not to forget the regularly erupting island of STROMBOLI, site of a movie starring Ingrid Bergman as a frustrated new bride. This in turn inspired Woody Guthrie to write a great piece of bawdy verse in which he longed for the perty actress to make his mountain quiver, a song that went unrecorded until Billy Bragg and Wilco were allowed through the late folkster's notebooks.

Image: Len Castle, Tongariro Emerald Lake

Colour fields

Since an online visit to Monet's garden, we have been keeping an eye out for visible sunflower fields, blurry haystacks, poppies, or any other plantation bringing a splash of colour to the satellite landscapes. So far, although our efforts have hardly been persistent, there has been little success. However, an actual drive through the real terrain of West Auckland a few days ago, taking the scenic route home to avoid an accident on THE BRIDGE, led us to this industrial ROSE GARDEN with its softly dappled pink and blue smudges - and an excellent light-flare off a greenhouse roof. Jumping into street view, we couldn't help admiring the spectacular FUNNEL OF CLOUD caught in the sunset.

It seems to be a garden summer with the Auckland Art Gallery opening a delightfully electic (eccentric?) exhibition, The Enchanted Garden, not long after former gallery director Christopher Johnstone launched his own book on gardens in New Zealand art. Of the many delights unearthed from the collection vaults by curator Mary Kisler, there is one of the gallery's six views of MALTA's impressively terraced fortifications painted by Alberto Pulicino while still occupied by the 'Knights of Malta'.

Of particular interest in Johnstone's book is the early depiction of now long-gone homes, and their surrounding grounds, in what have mostly became dense, urban areas. Of these historic garden estates, a few survive, including Sir George Gray's mansion at KAWAU (depicted by Alfred Sharpe and Constance Cumming) and ST JOHN'S COLLEGE in Auckland (depicted by John Kinder) retains many early features. It is interesting to note that the extensive plantings Colin McCahon (and family) made and painted at their Titirangi house were probably influenced by time he spent working as a gardener at the WELLINGTON BOTANICAL GARDENS. Jumping back into STREET VIEW, we can almost replicate his works depicting the Titirangi House through the trees.

Leigh Martin, best known for abstract work, is included for his floral 'noise' paintings. Whilst studying in Glasgow, Martin is said to have spent much time in the local Botanic Gardens, including KIBBLE PALACE and particularly the NZ flora section. He also met the late Derek Jarman, whose shingle garden at PROSPECT COTTAGE near Dungeness (also home to a nuclear POWER STATION, an excellent set of sound mirrors, and is an important ecological site) is well known, and just as striking to the ear (audio here) as to the eye.

Image: One of many images of Derek Jarman's Garden available on flickr and similar websites.

The China Syndrome

I've been doing a little reading about apocalypse movies in advance of next week's exhibition, The Swarm. Whether it's attacking insects, tomatoes, tidal waves or aliens, according to a text by Kim Newman, most of these films are a symptom of anxiety about the bomb. As Newman puts it The China Syndrome (1979) "takes its title from the facetious term for what would theoretically happen if a nuclear reactor went into meltdown - the plutonium would eat through the world and turn up in China."

I couldn't help thinking of Maddie Leach's Andalucía 2007 project earlier this year at Te Tuhi. With a little help from some contractors and bored.com, She dug a hole in the gallery courtyard and emerged in a Spanish olive grove. You can try it for yourself here by zooming into your chosen hole location and then clicking on the map. If LAKE TAUPO really had no bottom, you could swim to a strange looking island just out of CASA DE PERABAD, halfway between Seville and Madrid.

The China Syndrome is about a nuclear plant on THREE MILE ISLAND, Pennsylvania. According to bored.com's hole-digging service, a meltdown would actually leak through to HERE, in the ocean about 1000km south-west of Perth. So we're not so safe from nuclear catastrophe in the South Pacific after all.

Image: Maddie Leach, Andalucía (detail), 2007. Excavated hole (1m x 2m), earth, tarpaulin, fencing mesh and waratahs.

Antonioni Park

I have been admiring the good resolution available in London , which now allows you to zoom right in. At the closest resolution, there is a nice analogue grain to the image, which had me thinking about Michelangelo Antonioni's 1966 movie Blow-Up. The film has the main protagonist obsessively making photographic enlargements to try and confirm a murder he may have inadvertently documented but the details are elusively lost in the grain. As Wikipedia puts it: "Ultimately, the film is about reality and how we perceive it or think we perceive it." Although I can't recall the exact geography of the park in the movie, as far as I can tell, the murder took place HERE.

The Wikipedia Blow-Up entry also provides a link to this resource, which is a database of film locations. There is something quite interesting about the slippage between depicted fictional cinematic space and the actual spaces where these scenarios were filmed. Such as the way The Last Samurai used MOUNT TARANAKI in New Zealand as a stand-in for MT FUJI in Japan.