Spanning time

"[Elger] Esser uses found postcards from his extensive historical collection of Breton and Norman seaside views as source material for his images. Selecting a small section of them, and enlarging them to the point where the grain becomes apparent, Esser's images are lyrical and strange. Often depicting waterery views, the images are serene, but also unreal. They depict time as something lost, but also as worthy of retrieval."

So says Hanna Scott on the Sightseeing blog where she has been developing a forthcoming exhibition. Esser's bridge can be found in other grainy meta-timezones HERE and HERE.

Trawling through earlier posts, there is also this entry about artists overlaying or mapping temporal moments, particularly Marine Hugonnier's photographs across the 24hr dateline BETWEEN Siberia and Alaska, and the re-imagining of historical sites, including THIS one, much like Mark Adams' revisiting of Cook's sites (including HERE, HERE and HERE).

Image: Elger Esser, Saint Andre de Cubzac, Frankreich 1996, C-Type print, VG Bild-Kunst 2009

Endless Summer

A strangely compelling travel piece not so long ago in the NZ Listener describes a blimp-hangar turned holiday resort in eastern Germany. Opened just in time for Christmas 2004 and clearly visible from ABOVE, Tropical Islands is easily as big as some neighbouring villages and has its own airstrip.

The website boasts the world's largest indoor rain forest, a complete tropical village, a Balinese lagoon and Germany's largest water slide. According to Wikipedia, it is one of the world's largest buildings by volume and the biggest hall without supporting pillars. Probably not what Buckminster Fuller had in mind for Spaceship Earth but camping is allowed (for a small fee).

Image: Tropical Islands under construction

The All-Seeing Eye

"From the Panopticon to the Wunderkammer explores the deep chasm between ideas of ‘modern’ and ‘contemporary’. One of the most damaging fantasies of modernity was the idea that there could be a universal view to encompass all people, phenomena and things within set categories. Many museums were founded on such convictions. This view is also made evident in the punitive institution of the Panopticon, the rationalist, Enlightenment prison in which one governor could see all the inmates in their cells from a single, fixed, authoritarian viewpoint. This approach is contrasted with the earlier, more fluid Cabinet of Curiosities, a prototype of the modern museum, which brought together disparate items from different origins as objects of delight and wonderment. In a reversal of history, this Biennale will be a contemporary Wunderkammer, allowing the audience direct experience and enjoyment of a wide range of art that is not categorised in any hierarchical way. [...]

"The Panopticon is a type of prison designed by English philosopher Jeremy Bentham in 1785. It features a circular array of inward-pointing cells – allowing one guard to observe all the inmates from a single point of view, without the prisoners being able to tell whether they are being watched. The central goal of the Panopticon was control through both isolation and the possibility of constant surveillance."

Media announcement for the 2010 17th Biennale of Sydney

Now let's peer into some Panoptic structures:

Panóptico in BOGOTA, now the National Museum of Columbia

PRESIDIO MODELO in Cuba is also now a museum.

MT EDEN Prisons in Auckland, which apparently resembles...

DARTMOOR Prison, England, which was once put to sea by the Goon Show.

The ROUND HOUSE is the oldest building still standing in Western Australia, which is also home to Australia's Hardest Prison: CASUARINA.

STATEVILLE in Illinois is one of America's Hardest Prisons.

The notorious INSEIN PRISON in Burma was actually built by the British and was the largest in their empire before World War II.

While we're sneaking in and out of correctional facilities, here's ALCATRAZ ISLAND, GUANTANAMO (or Gitmo) and COCKATOO ISLAND, which, like Alcatraz, is now a tourist facility and next year will once more be a venue for the Biennale of Sydney.

This interactive map provides international statistics on prison population per capita.

Image: Inside one of the prison buildings at Presidio Modelo, Isla De la Juventud, Cuba.

Abandoned

With our running interest in hidden places, negative spaces, voids and other types of monumental emptiness, we couldn't resist this post on WebUrbanist, which we have managed to mostly translate into map locations (and more deserted cities here).

Hong Kong's once anarchic Kowloon Walled City was torn down not long after Jackie Chan used it as a set for Crime Story, including real footage of exploding buildings. Before demolition, Japanese explorers spent a week mapping the vacated site. It is NOW A PARK.

The RYUGYONG HOTEL casts a long shadow over Pyongyang, a towering memorial to failure.

Our favourite is the mysterious and futuristic UFO ghost city of SAN ZHI, Taiwan, which sadly disappeared only a few months ago.

Once the capital of Azerbaijan, AGDAM's crumbling mosques demonstrate that living at the crossroads can have a negative effect, which can leave you in the middle of contested territory just as it can also make you a centre for commerce. Then there are the built open spaces of the city of FATEHPUR SIKRI, Uttar Pradesh, India, which was the capital of the Mughal Empire but is said to have been abandoned since the 16th century when it ran out of water only decades after being built.

Unfortunately the map resolution is not great but here is the former splendor of BOKOR HILL STATION in Phnom Bokor, Cambodia.

Closed in 1999 after a single accident, Opko Land in South Korea is still a mostly intact amusement park, although google has been very slow to add maps and detail to most of Korea so THIS is as close as we get. A shame because we like amusements parks and promise to seek out a few more, abandoned or operating, at a later date.

Image: The UFO house in Sanjhih, taken by cypherone

Tremors

"Theo Schoon, the Dutch artist, introduced me to the geothermal areas of the central North Island - areas to which I have returned many times to record on film the detail and drama of these fascinating places. Here at your feet and in the air you breathe are the feverish exhalations of volcanic activity. These sites are the art galleries of nature's creations, thrust to the surface from subterranean crucibles by steam, boiling water and gases."

Len Castle quoted by Peter Simpson in the Mountain to the Sea exhibition catalogue.

Last week, amidst some of the steamiest weather Auckland has experienced in recent times, Hawkes Bay Museum and Art Gallery curator Tanya Wilkinson opened a touring exhibition of Len Castle's geologically inspired ceramics, combined with photographs by the artist and a selection of commissioned poetry, all of which makes for a nice publication.

Amongst those places favoured by Castle and simmering with primeval forces is the volcanic heart of the North Island around Tongariro, which includes the CRATER LAKE of Mount Ruapehu, the UPPER and LOWER TAMA lakes with their wind-swept, bottle-glass surfaces, and the seemingly kiln-fired, peak of NGAURUHOE, adorned with jewel-like lake glazes HERE, HERE and HERE.

Heading north from the super-sized crater lake of Taupo are the geothermal facilities at WAIRAKEI, the many small lakes through the region, including ROTOKAWA, TIKITAPU with its strange digital surface patterning, the pale blue and strikingly titled Echo Lake (WHANGIOTERANGI) alongside the emerald green Ngakoro, and of course the bubbling mud of WAIOTAPU and WHAKAREWAREWA in ROTORUA. And then, out to sea, it is hard to miss the miles-long plume of White Island (WHAKAARI).

Speaking of smoking peaks, here's MOUNT SAINT HELENS, VESUVIUS, KRAKATOA and ETNA. Not to forget the regularly erupting island of STROMBOLI, site of a movie starring Ingrid Bergman as a frustrated new bride. This in turn inspired Woody Guthrie to write a great piece of bawdy verse in which he longed for the perty actress to make his mountain quiver, a song that went unrecorded until Billy Bragg and Wilco were allowed through the late folkster's notebooks.

Image: Len Castle, Tongariro Emerald Lake

The Big Apple POA

Just north of the Waitomo turn-off is The Big Apple Cafe with its larger than life name-sake sculpture. We actually noticed this one over the Christmas break but it took a second road-trip to confirm the location and find it on the map. Part of the problem, which is also the reason we noticed it anew, is that The Big Apple has just had a pop make-over, now coated in a gleaming red finish compared to its earthier, more naturalistic FORMER LIVERY which, aside from the TELL-TALE BITE, blends with the surroundings. And if anyone is looking their own piece of rural paradise, it appears the owners are now looking for offers.

The Yellow Peril

In 1995, Claudia Bell and John Lyall wrote a book about the big sculptural things provincial towns like to put up as a kind of local signifier. The book not only became a TV documentary, but also a set of postage stamps, but darned if we can find any convincing views of one on google maps yet. A recent tip-off alerted us that Australia is also rife with Big Things so, while searching for a giant penguin in the Tasmanian town of (wait for it...) Penguin, we came across a blog entry on the Big Banana, the Yellow Submarine, and Melbourne's infamous 'YELLOW PERIL', now accomodated in a more sympathetic setting at ACCA.

BTW, we did eventually find the penguin, but only by cheating and driving around for ages using STREET VIEW. Likewise the OHAKUNE CARROT and the GORE TROUT.

Image: The Big Cheese, in Bodalla, NSW.

The Fifth Facade

Last weekend saw the death of Danish architect Jørn Utzon, famous for building (and not completing) the Sydney Opera House. Today, 95bFM's Sunday Breakfast played an interview with Utzon's biographer, Richard Weston. In particular, we couldn't help being impressed with Weston's description of Utzon's awareness of the Opera House's visibility from the Sydney Harbour Bridge and that the building needed a 'fifth facade' so it would also look good from above. Nice phrase, we thought, realising we'd found a great way to refer to many of the things that Art From Space is interested in: art, architecture and landscapes that carry content in their horizontal axis as much, if not more, than the vertical axis, which is traditionally the focus of most monumental structures that have the sort of scale to be visible by satellite.

As Weston noted, the Opera House's site is remarkable, jutting into a picturesque harbour amidst boats and alongside the BRIDGE, something that is immediately evident when zooming in by satellite, even from a GREAT ALTITUDE. Zooming further in, the elegantly tiled shells of the ROOF/WALLS, all precast in concrete from the same sphere, curve in a way that defies the simple distinction of vertical and horizontal, which has long been a favourite site here on Art From Space.

Image: Sydney Opera House under construction in 1968, found here.

Signs in the key of life

We've been meaning for some time to bring the strange terrain of Las Vegas to Art From Space, but it appears the Art, Life, TV, Etc. blog has beaten us at our own game. Nevertheless, the Neon Museum Cheryl has provided COORDINATES for is quite a sight, even from this distance, and a welcome addition to the proverbial to-do list if we ever get there in the flesh. Even if we don't, this long-retired SKULL in the neon boneyard is an online treasure, as is the assortment of ALPHABET SOUP signage, lucky horse shoes, and the adjacent CARNIVAL.

Image: Andy Anderson, the Anderson dairy mascot, now in Fully Working Order

Since we last spoke about monuments

Until 9 November, Stroom Den Haag in The Hague is holding an exhibition titled 'Since we last spoke about monuments', which is part of a programme called Nu Monument. As the exhibition's press release states, there are "fervent debates the world over about what to remember - where, how and to whose benefit -, public works commissioned, defaced or deplored, countless instances of symbolic abuse in public space evince the extent to which monuments are still with us today, as screens for projecting political or social emergencies, for enacting cultural memory."

Included in the exhibition is Sam Durant's Defaced Monuments project. Christopher Columbus seems to be a regular victim, including THIS plinth in Caracas that once held a Columbus statue. Last time we checked, the Columbus Monument in BARCELONA was still well.

Spanish Bombs

Given that a primary interest of Art From Space is to curate and explore art by appropriating images of existing phenomena via the digital assemblages of satellite photographs found on google maps, the second life of art works is something we pay a lot of attention to. Although the Mona Lisa is generally considered the world's most reproduced artwork, in Spain it seems that honour goes to Las Meninas by Spanish court painter Diego Velazquez. Despite our not venturing anywhere near Madrid, where the painting now resides at the Museo del Prado, we regularly encountered postcards, t-shirts, jigsaws, coffee cups and even mouse pads emblazoned with the popular work.

Testament to the importance of Las Meninas is the fact that, in 1957, Pablo Picasso produced numerous interpretations of the work, totalling 58 oils which he later gifted to Barcelona's Museo Picasso. Picasso is not the only one and the Museo Picasso currently has an exhibition of works by a long list of artists, all inspired by the same painting, including Salvador Dali, Richard Hamilton, Phillipe Comar's perspective analysis, and Eve Sussman's video re-enactment, which was recently shown at the Govett-Brewster Art Gallery. Other derivatives were found on the streets of Spain including a grouping of three of the pictured sculptures by Manolo Valdes, just installed on CALLE ERCILLA in Bilbao but yet to appear on satellite view.

Another work we kept running into without having to visit Madrid was Picasso's Guernica, which also once resided at the Prado but is now at the Reiner Sofia, as overthenet have recently noted. This is probably not surprising given that we were in Basque territory where the work has inextricable links to the region and the staunch independence of the locals, who are unlikely to ever have it on home turf, even after the construction of a local Guggenheim franchise. In addition to the usual paraphenalia, we found this framed jigsaw puzzle hanging outside a games shop in the alleys of San Sebastian's old town.

It seemed fitting, then, that the last stop on our Spanish tour had fortuitously become a pilgrimage to the actual town of Guernica, officially known as Gernika-Lumo in Basque. It is interesting to consider the contribution Picasso's painting continues to make to international awareness of the blanket bombing of the town by German Luftwaffe pilots on behalf of Franco's Nationalist forces in 1937. Even so, the name now seems synonymous with the painting and the actual place has a more mythic quality to it. So walking through Gernika's streets, it is odd seeing signs that bear its name to proclaim such mundane things as the local podiatrist's clinic.

Not far from the church of Santa Maria, one of the only structures to survive the bombing, is the pictured ceramic-tiled reproduction of the painting - Guernica in Guernica. Just along the road in the other direction is another significant surviving location, the Tree of Guernica (Gernikako Arbola) a symbol of freedom under which the town's people and national officials have been meeting for centuries. Unfortunately, google's resolution doesn't quite let us see this sacred site, but I can't help wondering how much this AERIAL VIEW resembles what the German pilots saw 70 years ago. It is probably also worth noting that a bridge and ammunition factories, which were ostensibly the bomber's targets, survived the three-hour blitz.

Eight easy pieces for tourists

Art from Space is going on honeymoon for the next few weeks and will be back in August. We'll be visiting some of these places while we're away and will be introducing some new Art From Space contributors on our return. Until then, in no particular order, here's some virtual travelling for you:

Looking like a Martian landscape, ULURU, often referred to as Ayers Rock.

Not sure why but the STATUE OF LIBERTY was one of my first pieces of google travel several years ago.

I like a good shadow on google maps to provide an interesting perspective on primarily vertical structures that wouldn't otherwise be too interesting from above. The Thames almost looks like concrete and provides a great surface for sharp shadows, including this great anamorphic rendering of the LONDON EYE.

Responsible for putting the Spanish industrial town of Bilbao squarely on the traveller's map, here's Frank Gehry's GUGGENHEIM.

Originally built as a temporary structure for a world expo, perhaps explaining its daring style, the EIFFEL TOWER was originally hated by Parisians but is still going strong.

Given the usual marginalisation of contemporary art as an activity, I've always been puzzled by is the immense popularity of TATE MODERN, which is one of London's top tourist attractions. How often do the people visiting the Tate engage in the arts when they're at home, and why would they spend the hard-earned holiday time doing something that ordinarily doesn't interest them? Same goes for the LOUVRE, which is the first structure I've found so far that lets you see through a window.

On the Zambezi River on the border between Zambie and Zimbabwe, here is the VICTORIA FALLS, considered the largest waterfall not because of height or width but because it has the largest sheet of falling water.